Leave Them Alone 2020
Ghen, Belgium
This manifestation has two central locations where Mammelokker is portrayed. Mammelokker comes from an old roman legend that tells of a man sentenced to starvation in prison. He heroically survives since his daughter is able to visit him so that he can be breastfeed by her. Both of the artworks (the stone sculpture and the mural) are made by male artists, giving a male perspective on the story.
This manifestation wants to give a female perspective which I find more relevant to the story.
The song is using the scar as a metaphor of describing the mental effects like internalised male gaze. Boobes are constantly beeing sexualised and women with big boobes are often deminished to being/feeling like they are only a pair of breasts. There is a male perspective and gaze associated with how breasts are portrayed which affects how women see their own bodies.
Making this music video is an attempt to heal those scars and to claim self ownership of the female body.
This manifestation wants to give a female perspective which I find more relevant to the story.
The song is using the scar as a metaphor of describing the mental effects like internalised male gaze. Boobes are constantly beeing sexualised and women with big boobes are often deminished to being/feeling like they are only a pair of breasts. There is a male perspective and gaze associated with how breasts are portrayed which affects how women see their own bodies.
Making this music video is an attempt to heal those scars and to claim self ownership of the female body.
Flagg sculpture
Close up, glass with potatoes
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Flagg sculpture
The flaggs used in the manifestation was made into a sculpture together with casted glass.
Carved found wooden sticks, thread, textile with embroidered text, casted glass, potatoes, string and macramé |
The clay sculpture made for the music video was featured in the Zomersalon 2020 at Ghent Kunsthal 17/7-30/8
Kunsthal Ghent, Belgium
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My Boobes
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Bröstens Klagosång (The Breast's Lamentation)
Frölunda Torg, Mall in Gothenburg, Sweden
January 2020
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Video installation in mall.
Metal construction, mat, shower curtains, headphones, wooden bench and tv screen with video. The text in the video was created based on a conversation with a focus group of three women that all had breast reduction surgery. It gives voice to experiences about breasts as a problem. A problem, physically and mentally. . The style of the video is created as a karaoke that invites you to sing a long. |
Video stills
Von Dittersdorf On Nose Flute
Video, shown at Gothenburg Museum of Art 2019
Von Dittersdofr is the name of the composer of the piece that is played on the nose flute.
The video was recorded in Gothenburg museum of art in which the video piece was later exhibited.
The video mixes high and low culture and plays with norms associated with it.
The sound is the focus in this exhibition, using the the acoustics of the room.
The video was recorded in Gothenburg museum of art in which the video piece was later exhibited.
The video mixes high and low culture and plays with norms associated with it.
The sound is the focus in this exhibition, using the the acoustics of the room.
Video stills
Sound #3 Objects and Communication
For the third time Gothenburg Museum of Art exhibit sound pieces together with the collection of sculptures and paintings.
Which sounds belong in a museum? How do we relate sound to objects?
For the third time Gothenburg Museum of Art exhibit sound pieces together with the collection of sculptures and paintings.
Which sounds belong in a museum? How do we relate sound to objects?
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Participating artists:
Anna Nord Ajami Carl Hugosson Daniel Wirgård Johanna Lernstedt Sjödin Kimzonite SanktMarie Miina Anahita Nanna Lund-Nielsen |
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Ett sista hopp (One last hope),2019
Installation shown during Konstrundan i Östra Göteborg, Gothenburg Sweden
This installation is a done as a collaboration with Linnéa Berntsson that together with Kimzonite forms the duo LIM.
This attic was totally transformed from flour to roof. Gravel was placed on the floor and the walls and roof covered and reshaped with fabric. The window was covered with synthetic hair hanging in front of it.
The sculptural objects are done by Linnéa Berntsson.
Sound and video projection by Kimzonite based on text by Linnéa.
Translated to English
An altar ... like a treasury
Species have gently been left here .. with care .. one last hope
To be isolated from the outside world
Treated like the most valuable little treasures ..
As the most important life memories from a photo album
Time do not exist here but ... infinity has already passed
Yet a chorus sounds .. that vibrates of life
This attic was totally transformed from flour to roof. Gravel was placed on the floor and the walls and roof covered and reshaped with fabric. The window was covered with synthetic hair hanging in front of it.
The sculptural objects are done by Linnéa Berntsson.
Sound and video projection by Kimzonite based on text by Linnéa.
Translated to English
An altar ... like a treasury
Species have gently been left here .. with care .. one last hope
To be isolated from the outside world
Treated like the most valuable little treasures ..
As the most important life memories from a photo album
Time do not exist here but ... infinity has already passed
Yet a chorus sounds .. that vibrates of life
A smaller version of the installation was presented at the group exhibition with work from all the artists exhibiting during the event.
Gravel, sound in headphones, metal ring and synthetic hair.
Gravel, sound in headphones, metal ring and synthetic hair.
To Be Solitaire, 2019
Way Out West Festival
Interactive performance and uv light installation
An investigation on loneliness
An investigation on loneliness
Uv light installation
An artist collaboration with SanktMarie.
Performed at Way out West music festival in Gothenburg, Sweden that is an all vegetarian festival. They also have a big climate focus and this year was operation: save the bees.
The theme for the performance was inspired by that theme.
The uv light installation is created to be the habitat/environment meant for the bees in a dystopic flower garden-spirit.
Performance in bee costumes, singing the song Lonely
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Uv light installation
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Interactive performance in bee costumes
The bee costumes were worn during the performance in which the bees would interact with people in the festival area.
The approach on the bees were in a depressed state of mind.
Depicting solitaire bees as opposed to bees living in colonies. Since it is getting harder for bees to find food the connection was made that they are getting lonelier, just like humans.
Conversations with festival visitors were on the topic of loneliness and they were asked when they felt most and least lonely.
It took place during the three days of the festival.
Tonsure, Solo Exhibition
at Gallery Monitor, Gothenburg
22-25 March 2019
Title in collected cut of hair ends on well Papp
Queue with hair and lathed wood
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Cut of hair on tiles
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Tonsure is the religious act of cutting or shaving one’s hair as a sacrifice to God.
The full head is shaved within Hinduism and is sold within the global hair trade. The model of that rite was used to lead the visitors through the exhibition.
It starts with a possibility to give collect and then lathed wood with hair trenses connecting them as they for a que that lead up to the icon triptych inspired from Catholicism. Instead of a virgin Mary my centre piece includes bowing heads and a painted people crowd.
The visitor becomes their own Gods in that way. This is a connections to going to a rock concert (that could be seen as a kind of religion or worship in Sweden) where showing that one belong to the group is very important. Like buying a band t-shirt, that were sold in the exhibition.
The full head is shaved within Hinduism and is sold within the global hair trade. The model of that rite was used to lead the visitors through the exhibition.
It starts with a possibility to give collect and then lathed wood with hair trenses connecting them as they for a que that lead up to the icon triptych inspired from Catholicism. Instead of a virgin Mary my centre piece includes bowing heads and a painted people crowd.
The visitor becomes their own Gods in that way. This is a connections to going to a rock concert (that could be seen as a kind of religion or worship in Sweden) where showing that one belong to the group is very important. Like buying a band t-shirt, that were sold in the exhibition.
Price examples of hair sold to the global hair trade
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Price examples of hair sold to the global hair trade
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Icon Triptych: Wood, fabric, hairdressing practice heads, wallpaper, acrylic paint
Icon Triptych, outside
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Icon Triptych, inside
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Exhibition merchendice
In the last step visitors were asked to sacrifice around 10 strands of hair that were made into a hair trens. That is the same technique as the hair in-between the wood pillars. Subject of interests are idolization and group identity. |
Exhibition merchendice
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Group exhibition KOM, 2018
Akademin Valand
The mute, the blind and the deaf, Amen!
The mute, the blind and the deaf, Amen!
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The mute, the blind and the deaf, Amen!
Styrofoam sculpture,140 cm
3D scanned from plaster model and then milled. Acrylic paint applied with airbrush. |
"Eleverna på Akademin Valand imponerar"
Sara Arvidsson, GP
GP Article
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GP Article
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Confession
2018
Confession, Interactive sculpture with video instructions, 2018.
Hight 185 cm. Ceramics, metal bars,hair and textile.
I wanted to invite some spirituality in a way that I find appealing. I´m playing with the mix of Catholicism and Hinduism.
Hight 185 cm. Ceramics, metal bars,hair and textile.
I wanted to invite some spirituality in a way that I find appealing. I´m playing with the mix of Catholicism and Hinduism.
Film stills from instructional video on how to use the Confessional.
Shown during Gothenburg school of art Spring exhibition 2018.
Shown during Gothenburg school of art Spring exhibition 2018.
Sänk volymen!(Lower the volume!)
Installation and video, kvarnbyn Mölndal, Kulturnatt 2018
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Electric scrap, ceramics and desk lamps
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The Culture night in the historical part Kvarnbyn in Mölndal is one of Mölndal´s biggest cultural events.
It takes place each year the first Friday in September.
It takes place each year the first Friday in September.
Ceramic keyboard
Megaphone with headphones
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Tree with electric scrap closeup
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Picking up the pieces,
video projection on wall
kvarnbyn Mölndal, Kulturnatt 2018
Video stills
Koinophobia
”While you're in it, life seems epic. Fiery, tenuous, and unpredictable. But once you have some distance from it, everything seems to shrink, until it's almost out of focus. So you begin scanning your life looking for something interesting or beautiful. But all you see is ordinary people assembled in their tiny classrooms and workspaces, each of us moving around in little steps, like tokens on a game board”.
Definition by, John Koenig
From The Dictionary of obscure sorrows
From The Dictionary of obscure sorrows
Synthetic wig by measurements for bronz bust depicting Charles Lindley at Olof Palmes Plats (Järntorget)
Järntorget, 2018
Urban Attention Dissorder
Group exhibition 2018
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Installation; casted plaster brains, flocking, lights, sound, electric scrap, casted silicone brainEvent arranged by Avgrunden Association in benefit for mental health, Berg 211, Gothenburg |
Window gallery at Gothenburg school of Art
Autumn 2017
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Cardboard, synthetic and human hair
Autumn Vernissage
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